NODA presentations

NODA awards were presented on-stage after the matinee performance on Saturday 22 February by Stuart McCue-Dick, Councillor for NODA (Scotland), with two other NODA personnel in attendance – Dorothy Johnstone, Regional Representative for District 6 (Edinburgh area) and reviewer for this show, and our very own Mike Pendlowski, appearing as his alter ego, the Regional Representative for District 7 (Fife).

These awards recognising service to amateur theatre went to:

  • Joan Bell: 30 year  Silver Bar
  • Geoff Strong: 30 year Silver Bar
  • Morag Riley: 25 year Long Service Medal
  • Mary Alexander: 20 year Badge
  • Clare White: 20 year Badge

This post will work its way down the page, but you can see all the recent presentation history at this link.

What NODA thought …

Dorothy Johnstone attended our Saturday matinée and reported on behalf of NODA:

An open stage revealed a stunning set with a group of sailors setting the scene meandering across the quarter deck of HMS Pinafore. These sailors then danced throughout the overture treating us to hornpipes and more balletic styles of dance. A novel concept which worked really well. The multi-level set with its many barrels and boxes strategically placed was used to great advantage. Although stylised in many ways in the manner of Gilbert and Sullivan there was a real freshness and originality about this production, especially in the use of props. Everything Little Buttercup sang about in her opening number was produced from her basket, inflatable ice cream cones and unicorn life belts appeared in the ever-popular “Never mind the why and wherefore”, and particularly impressive were the ever-changing hats worn by Sir Joseph Porter corresponding to his status as he climbed the ladder from office boy to ‘Ruler of the Queen’s Navy’. Clever!

The raucous group of sailors were in fine voice in the opening number and were disciplined and light-footed in their moves and routines using their hats. An appealing and sparkling Ralph Rackstraw (Geoff Lee) immediately gained the sympathy of the audience as he sang of his hopeless love for Josephine (Gillian Robertson), his captain’s daughter. There was a real rapport between these two, both convincing in conveying the turmoil of their feelings for each other in their duet “Refrain, audacious tar” and in Josephine’s aria “The hours creep on apace” which was wonderful and so effortless. Another clever touch here was the subtle setting left and right depicting rich and poor as Josephine weighs up the pros and cons of her future in matrimony. Josephine’s other suitor, Sir Joseph Porter (Robin Ożóg), gave a spirited performance with perfect diction and articulation in both spoken and sung word. Her father Captain Corcoran (Ross Main) looked well as a dignified upper-crust Captain, meaningfully expressing his emotions in the the lovely “Fair moon to thee I sing”. Good lighting added real atmosphere to this scene.

Buttercup (Liz Landsman) was obviously well loved by the crew and came across as a warm, caring woman who maintained her accent throughout and was quite mystical in her duet with Corcoran telling him that “Things are seldom what they seem” and finally revealing what she had done “A many years ago”. The motley crew members, the scheming almost loathsome Dick Deadeye (Nathan Macaulay-Dicks), Bill Bobstay (Jack Archibald) and Bob Becket (Willie Campbell), gave believable performances. Cousin Hebe doesn’t have a great deal to sing or say but Sinead Black injected real character into the part and looked quite charming.

This was a well-directed production with an accomplished principal cast and a very well vocally balanced chorus of sailors, sisters, cousins and aunts. There is certainly more for the men to do in HMS Pinafore than there is for women, but it is rare to see a bigger male then female chorus as was the case here. There was a real blend of voices in duets, ensembles and big chorus numbers, particularly in the finale of Act 1 and the rousing “He is an Englishman” where the part singing was most evident. A sympathetic orchestra supported the singers. The well-choreographed company movement and business using hats was well drilled and executed in a slick, confident manner. Colourful costumes and effective lighting enhanced this most enjoyable and well thought out production.

Thank you so much for inviting me along.

Well done, everybody!

Our worthy bo’sun has given the production the thumbs up … as did everyone we spoke to after the show. One email we received said: “We thoroughly enjoyed the show yesterday – as always the performance was superb. It was good to see younger members performing. The backdrop as always was stunning. Well done to everyone. Next year will see … 20 years supporting the Dunfermline G&S. Book our usual seats!”

So, thank you to our loyal audience members, thank you to the cast (who will be missing their nightly intake of the goodies from Jack’s Caff!), and a special thank you to the Director, MD and stage staff who pulled the show together and made it something of which the Society can be proud.

We’ll have an archive page shortly, but don’t forget the next date for your diary, which is Friday 19 June, when our concert performance of The Mikado will have a very special guest in the role of Katisha! Watch this page for details.

Worth braving the storms …

… to see our HMS Pinafore team in action at Dunfermline’s Carnegie Hall. Rae put it well on Facebook when she said: “Loved the show last night! What a well-drilled crew and Porter family. Everyone was clearly having a ball, and that’s what I like to see.”

Your webmaster was also in the audience for the first performance of the Society’s latest production and was very impressed. Some fine singing, excellent characterisation, and a truly amazing number of moves for everyone in the chorus numbers – he was told later that one of the apparently simpler numbers had 60 moves – but, above all, great fun on stage, which came over very clearly to the audience.

We’re deliberately not showing any pictures of the set (appropriately nautical, and with some challenging changes in level, just like a real ship of the line), or the costumes (excellent to look at and, for the crew at least, claimed to be surprisingly comfortable), because we want to encourage you to ignore the present inclement weather, and head to Portsmouth harbour, where you will enjoy some splendid entertainment!

Welcome aboard!

Did you see these guys in the Kingsgate Centre last Saturday? On stage right is Morag, our Chair; on stage left is Anne, our Finance Manager. Anne doubles as Ticket Sales Manager, so she’s the one who you need to speak to soon, to get your choice of tickets for what will be a great show! Phone our ticket hot-line on 07703 483083 or email ku.gro.ssagdnull@selastekcit.

Invitation to Venice

Our friends in Kirkcaldy G&S Society are pushing out those gondolas at the Adam Smith Theatre from Thursday 5 March to Saturday 7 March, evenings at 7.30pm plus a 2.30pm matinée on the Saturday.

Once more the show direction will be in the secure hands of Robin Ożóg, both as director and in his stage role as Don Alhambra del Bolero, pulling all the strings! Remarkably, Robin will then have played every one of the gentlemen principal parts in the opera!

Other well-kent faces from our “Meet the Stars” pages are Michael McFarlane as The Duke of Plaza-Toro, Nick Temperley as Marco Palmieri, Jack Archibald as Antonio, and Sinead Black as Fiametta, with Sharon Edgar, a loyal member of our chorus, as Vittoria.

Ask any of these friends to get you tickets, or you can buy from the Society Box Office (07870 901606), online at https://www.facebook.com/kirkgandss, or the Theatre Box Office (01592 583302). And you can see what fun they’ve been having on their Facebook page!

About to launch!

Incredible as it seems to those who started work on HMS Pinafore back in August, Show Week is now next week, with our first performance at Carnegie Hall at 7.30pm next Thursday, 20 February.

Our gallant crew – ladies as well as men – tried on their costumes on Wednesday, and were well pleased. As will you be when you buy your tickets (head for this post for how to do that) and see the brilliant overall effect on the stage – 18 orchestral players in the pit (plus Eddie, of course!), 8 dancers and 32 crew members.

 

After you’ve made that bargain purchase, take a look at our Facebook page for more pictures of our crew in rehearsal action.

Next appearance

The Pirates of Penzance 2022

Apart from ongoing Zoom activity, which includes a concert version of The Mikado on 16 June 2021, our next show on stage in the Carnegie Hall will be The Pirates of Penzance from Thursday to Saturday 17–19 February 2022!

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